goh's first trumpet

2014-11-11 TOKYO, JAPAN -- I’m getting my own trumpet!

Since 2014-07-01 I’ve been renting a Yamaha YTR-3335S. I’ll return it to the Yamaha store in Sapporo on 2015-01-31. Because Noriko and I often travel to Tokyo (partly for work, and partly to visit our parents) and because flying does no good for musical instruments, I ordered a trumpet so that I can practice in Tokyo.

My trumpet should arrive the evening of 2014-11-13. I can hardly wait!

Carol Brass Zorro II

halloween party

2014-10-29 SAPPORO, JAPAN -- We celebrated Halloween 2 days early in our wed[1234] classes.

Noriko was a bat. Kero was Robin Hood. I was an original youkai spirit named Siranubasu, that lives in Ohno Pond and preys on students who foolishly register for classes without reading the course offerings. That’s supposed to be a lily pad and a lotus root I’m wearing.

Students, download your group photos from Glexa!

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classroom change

2014-10-07 SAPPORO, JAPAN -- From 2014-10-08 until 2015-01-14, our wed[1234] classes will meet in S10, a regular (and warmer) classroom on the 2nd floor of S building. Tell your friends!

more trumpet lessons

2014-09-20 LINCOLN CITY, OREGON -- Learning the trumpet has become a major part of my life. Trumpeters practice religiously. I aspire to do the same. Since renting my instrument on 2014-07-01, I have not missed a day of practice.

We use a spare bedroom as a music room. During the day I practice without a
practice mute. I prefer no mute because the air flows differently with the mute on. The mirror reflects the image of my embouchure (the configuration of the lips, cheek, tongue, and jaw). The mirror also reflects the sound projected from the trumpet bell. The sound bounces off the hard glass surface, giving me strikingly different acoustic feedback compared with the sound heard directly from the horn that I would hear were I playing in an open area.

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On Saturday mornings we drive 35 miles for trumpet lessons at
John Bringetto’s house. We want to arrive a few minutes early so as not to make John nervous (“Are they coming?”) but not too early as to be a nuisance (“Would you like some tea?”). So we leave home way early, and park and practice for half an hour at the Brian Booth State Park (formerly known as the Ona Beach State Park) across the highway from where John lives.

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This morning we brought John and Amanda cookies from Japan. Plus a lot of questions written in my notepad. John patiently answered each one.

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We finally established a good embouchure! I was set back 2 months. Think that’s bad? John spent a year in high school re-learning his embouchure that he had for 2 years.
Louis Maggio (whose method was incorporated in the practice book that John uses daily) was forced to re-build his embouchure following a terrible accident that destroyed his lips and teeth. Compared to them, I am phenomenally fortunate. My mistake (at least this one) was nipped in the bud. Thanks John!

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Many people strengthen their “chops” (muscles in the lips and cheeks) by holding a pencil between their lips. Another training method is to pass a piece of thread through a button, putting the button between your lips and your teeth, and pulling the button with the thread.
One manufacturer sells a specialized training tool called the “P.E.T.E”. I fabricated my own with a bolt, washer, and nut. I use it when I get bored.

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After lessons, Kero insists we have a nice lunch in Newport, roughly halfway between John’s house and ours. Today we went to
Mollie’s Food Follies, near the Hatfield Marine Research Center. Big buttery veggie omelet!

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Our next lesson with John will be in March. Until then, I’ll study with Izuru Konishi in Sapporo.

trumpet factory visit

2014-08-19 CANBY, OREGON -- Noriko and I visited Marcinkiewicz Co. Inc., which manufacturers trumpets and mouthpieces the old-fashioned way.

Zack Marcinwiekicz, who grew up in the family business and now runs the company as well as being its public relations person, graciously told us stories and gave us advice for well over an hour. We also met John, who followed his father and became a brass instrument craftsman, including years at Benge, Olds, Kanstul (where he made tubas -- didn’t know they made them) and joined Marcinkiewicz when they opened for business. I don’t have pictures of these illustrious gentlemen, mostly because we were so enthralled with their stories, and also because we thought taking their photos would be inappropriate.

However Zack did give us permission to photograph their building and their lobby. So here they are!

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Above: Marcinkiewicz is located in Canby, a community with nice houses surrounded by farmland, located between Portland and Salem. Oregonian pilots will be familiar with Aurora state airport, situated several miles away, and home to kit plane manufacturers. Perhaps the region’s build-it-yourself, self-reliant spirit plus a labor base of skilled metal craftsmen accustomed to tight tolerances is why we find trumpets (Marcinkiewicz, Monette), aircraft (Van, Sportcopter), and bicycles (Comotion, Bike Friday) being manufactured in Oregon.

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Above: Marcinkiewicz prefers their customers to visit the store in order to custom-tailor instruments. Clients are typically advanced players who know what they want. The trumpets in the glass showcase shown in the picture are prototypes -- trumpets that were made by combining various bells, lead pipes, and materials. The black flat boxes on the shelves behind the glass showcase contain mouthpieces, some differing in dimensions at merely half the thickness of a hair.

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Above: Marcinkiewicz started out similarly to Vincent Bach in that in both cases their founders were trumpeters who chose to augment or stabilize their income by making trumpet mouthpieces and instruments. Today, many trumpets are mass-produced in factories. Some musicians insist on hand-made instruments, however, leaving a niche market for companies such as Marcinkiewicz. John told us of a trombonist who could accurately distinguish hand-hammered bells from machine-made bells. (Marcinkiewicz also produces trombones.) John also told us that where the seam of one-piece bells goes -- bottom or the side -- makes no difference. But two-piece bells do suffer from uneven thickness. John can make tubas with one-piece bells, but the price is prohibitive.

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Above: The lobby is adorned with photographs of trumpeters holding Marcinkiewicz instruments. We smiled when we saw a picture of Bobby Shew as a young man, already hairy and beardy if not more so. In the picture above, located in the center below the blue whale is Herb Alpert, my idol, who was a business partner with Marcinkiewicz from 1983 to 1989.

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Above: Zack gave us 3 Marcinkiewicz pencils. One goes to Izuru Konishi, my trumpet teacher in Sapporo. Another goes to John Bringetto, my trumpet teacher in Seal Rock. And I get to keep one, too.