neil stalnaker performs at d-bop

2015-05-26 SAPPORO, JAPAN -- Neil Stalnaker, a former navy bandsman who relocated to Japan, played his Besson trumpet at my favorite jazz spot D-Bop in Sapporo. Neil had studied in person with Carmine Caruso in New York. That made a connection to me because I play Caruso's "6 notes" and "seconds" every day.

Neil told me he had not warmed up that morning, and needed to ramp up his playing during his gig. His first song was pretty energetic. Steamy warmup!

What warmed me and the rest of the audience was that 2 middle school kids (who came with their parents) joined the stage and blasted away on the trombone and trumpet! The kids were awesome! If I could play half as good as them I would be ecstatic. The 5 adult musicians were kind and encouraging. Here are pictures of the members of the quintet, along with a flyer of the event.


trumpet clinic

2015-05-24 SAPPORO, JAPAN -- I attended my first trumpet clinic. Although I had read about trumpet clinics, this was my first hands-on experience.

A trumpet clinic is a one-time trumpet lesson, typically given by a well-known trumpet player who is touring the area. A parallel at a university would be a guest professor giving a one-time lecture and answering questions from students and professors of the host institution. Participants of clinics cannot claim to be students of clinicians -- that title is reserved for people who receive regularly scheduled instruction. For clinics, I suppose the apt term is attendee.

The guest professor today was
Shunzo Ohno, a soft-spoken gentleman who grew up in central Japan and has spent almost his entire professional career based in New York. Noriko (who missed the clinic as she is visiting her parents in Tokyo) is fascinated by Shunzo's biography. His experience with a lip injury somewhat parallels that of Louis Maggio.

Shunzo performed in downtown Sapporo yesterday evening. From the front row I watched him play. The clarity and purity of his sound captivated me. That's the tone I want! Maybe half an octave higher though, because that is where the center of my range is.

Although naturally I was eager to learn from Shunzo, I was rather apprehensive because I expected advanced amateurs to ask advanced questions, and I did not want to dilute the level of instruction by being a dunce. I was also scared that I might be asked to play in front of strangers.

In fact that did happen and I was in panic! My first public performance was a series of long tones that broke up before they left the bell!

Shunzo was kind and gentle and spent considerable time (perhaps 15 minutes out of the 120 minutes for class) to show me how to set the embouchure (don't fidget!) and play. He knows I live in Oregon so he switched to the English language to teach. Shunzo is clearly more at ease talking about trumpet in English than in Japanese. Much of the instruction Shunzo himself received was in the English language. He grew up in a working-class family, and he was self-taught in music until he moved to New York as a young man.

I am not sure what the rest of the audience felt with how Shunzo and I interacted. They were probably unhappy that I was wasting precious time. In my weak defense I might mention that the 11 other students were not entirely enthusiastic about asking questions. Shunzo was disappointed, and maybe that's why he was generously responsive to me when the group lesson period ended. He gave me extra personal teaching for quite some time afterwards. We also showed each other's trumpet bags. His is ultra-minimalistic. Mine is full of gear, ready to fight a war. Except I don't know how!

Flyer from Shunzo Ohno's performance in Sapporo.

Shunzo demonstrates lip buzzing, mouthpiece placement, and mouthpiece attachment.

Spectrogram of Shunzo's scales. Fast and clean! Even on my best day I cannot achieve this. The horizontal cursor at 591 Hz marks Bb trumpet E5 (concert D5). Shunzo excels in the lower and middle registers. He focuses on melody.

sake of the month club

2015-05-05 SAPPORO, JAPAN -- Noriko and I joined a sake of the month club for the first time in our lives. This is not a serious commitment. We get 2 720-milliliter bottles of fresh sake delivered each month for merely 3 months. If we enjoy it, we might join again. We are not heavy drinkers. It took us 14 days to finish our 1st delivery of 2 bottles. Most people would finish a bottle in a single evening.


sakura cherry embankment walk

2015-04-26 SAPPORO, JAPAN -- Spring arrived in Sapporo early this year but still a month or two behind Portland and Tokyo. We took a 12-kilometer walk along the Shinkawa river embankment. We left home at 07:00 to view the cherry trees illuminated by the morning sun from aside. Near the river we found a park bench (rare in Japan) where we took a sip of water.


tesol toronto

2015-03-26 TORONTO, ONTARIO, CANADA -- Noriko and I gave a poster presentation at TESOL-2015, a conference for teachers of English language. The timing and location of the conference gave me the perfect opportunity to visit the city where I spent my early childhood.

Between the Union Station (equivalent of Hauptbahnhof) and the CN tower lies the Metro Toronto Convention Center, with a sculpture of woodpeckers.

A black snowman greets visitors.

We knew we arrived at the correct venue when we saw a frog blessing the building.

Registration was fast and painless. Other conferences should take note!

The conference was well attended.

I enjoy poster presentations because I get to interact with my audience more than a lecture session. The questions and comments that people give me are often valuable.

I prefer printing my posters the old-fashioned way, because (1) I can mix and match the sheets based on the people I see at the conference site before I give my presentation, (2) I can add or correct sheets of paper without having to re-print a large expensive poster, and (3) I am never sure that the poster panel will have the dimensions promised by the conference organizers.

Noriko always cheers me on. I owe my success to her.

Lots of people stopped by. Thanks for coming, folks!